Joginder Tuteja looks at the 10 releases that will keep the entertainment going till the end of 2020.
'Rani made it very clear when she signed the film that she would shoot only during her daughter's summer vacation so as not to disturb her role as a real life mother.'
The hits and misses of the week.
A look at the red carpet arrivals.
Raja Sen analyses the year so far.
Sooni Taraporewala makes us root for her young characters even if we aren't entirely sure about the depth of their feelings, feels Sukanya Verma.
Something in Alia has surely changed after Gangubai. Her entire performance is about proving to herself and not to the world what she can do, feels Sukanya Verma.
And no, the list doesn't start and stop with Boman Irani!
I binged on various shows this year -- some for work, some for pleasure, few I couldn't spare time for, others I didn't have access to while some started out fabulously only to fizzle towards the end.
'Today, a four-year-old child knows how to go on YouTube and see everything.' 'What are you going to control and what are you going to tell them? Nothing.' 'This is the generation we are living in.'
'I don't remember the last time I was this invested in the characters of a story since Doordarshan's golden age or early days of cable television boom,' applauds Sukanya Verma.
A Death in the Gunj is not a happy film at all times, but it is very entertaining says Aseem Chhabra.
Rocket Boys offer an overwhelming experience to me and many others who saw Homi Bhabha in action at Trombay, observes Dr K S Parthasarathy, former Secretary, Atomic Energy Regulatory Board.
God bless Ritesh Batra, raves Sukanya Verma.
'As the film progresses, you tire of the been-there seen-that spectacle.' 'You want a story. You want good dialogue, not the corny words you are hearing.' 'You want an emotional connect. You want a tighter film.' 'Sadly, with Padmaavat, that's not what you get,' says Savera R Someshwar.
Under Rajkumar Hirani's light touch and unwavering optimism, the darkness of Sanjay Dutt's life acquires the spirit of a sportsman, grit of a soldier, humour of a rascal and regrets of a son, notes Sukanya Verma.
The actress, who turns feature film director with A Death in the Gunj, discusses the cinema she is comfortable with and why she loves being an outsider.
Sonam Kapoor is exceptional as Neerja Bhanot, says Raja Sen.
'Sanjay Leela Bhansali's historical characters behave as though they are already aware of the chapters that will be dedicated to them and the sonnets that will be written in their memory.' 'And yet, they talk relentlessly about making and remaking history.' 'Can anything be more superficial?' asks Sreehari Nair.
'I always wanted to play a negative character, so I was like why not play it with Mr Bhansali?' 'As they say, be careful what you wish for.' 'I wanted to play an antagonist and I got the most evil one ever.'